so why do i love this Lp so much .. it takes back to the early 90s it has that Uk indie sound with a dazzling clear crisp production sound .its Ahead phone dream land up load .. It picks you up takes you on a journey through the late 60s while spinning through the 90s crashing into the indie baggy sound then brings back home again .. Sublime ..
Electric Eye’s highly anticipated full-length debut is finally set for release by their native Klangkollektivet Records, as well as international distribution by Fuzz Club Records on April 5, 2013
The super group quartet, Electric Eye, opens up a new chapter in Norway’s strong and long lasting tradition for psychedelic music. Spacerock, inspired by blues, India and the ever-expanding boundaries of the great unknown, are key components in Electric Eyes sonic landscape. The album will serve to showcase, for the first time, the talents of seasoned musicians (Øystein Braut, guitarist of The Alexandria Quartet; Njaal Clementsen of Bergen noise-rockers The Megaphonic Thrift and Low Frequency in Stereo; underground studio-guru and guitarist in art-rocker act, Hypertext, Anders Bjelland; and Jazz/Noise/Drone-drummer, Øyvind Hegg-Lunde)
The A-side of Pick-up, Lift-off, Space, Time features only three songs, which together form the albums most «trippy» parts. The kraut-inspired single “Tangerine” concludes the first part of the record with nine-minutes of pure dynamic and monotony. The song, which begins with the sound of the sitar and drone instrument Tanpura, ends in a cacophony of sound, bongo drums applied through a Roland Space Echo, screaming organs and tremolo-ridden guitars. While the B-side is a bit more up-tempo, and makes use of more classical song structures, before the album fades out into the self-titled tune “Electric Eye”, a duet with The Megaphonic Thrift’s lead singer, Richard Myklebust.
The Black Angels, Wooden Shjips, Pink Floyd in Pompeii and The Flaming Lips “Embryonic” are all references for Electric Eye’s catchy clash of Psychedelia and krautrock. Whereas other Norwegian psychedelic acts have aspired to perfect the shoegaze-style, this band has more edge, attitude and defined melodies. This places them closer to the more recent neo-psychedelic-scene, spearheaded by The Brian Jonestown Massacre and The Dandy Warhols in the nineties. This particular branch has little in common with hippie-bands and flower power, or newer psychedelics fascination with pastel-colors. Neo-psych combines a darker expression, lots of reverb, fuzz-guitars and jam-based music. Electric Eye borrows freely from the different psychedelic decades, combining their key elements into a unique mix of psychedelic space rock and blues.
Pick-up, Lift-off, Space, Time!
released April 5, 2013
Produced and performed by Electric Eye
Mixed by Anders Bjelland at Tinnitus Recordings, Bergen, Norway
Mastered by Jørgen Træen at Duper Studios, Bergen, Norway
Cover Design by Robert Høyem / www.attheends.com
Additional vocals on The Road, Kruskontroll and Electric Eye by Richard Myklebust (The Megaphonic Thrift)
Made with support from Bergen Kommune and Ujevnt Bar, Bergen.
supported by 31 fans who also own “Pick-up, Lift-off, Space, Time”
Really interesting flavors in a soundscapes of this album. An album that doesn't wear out by listening. You always find interesting new details in a rich texture of instruments. I have never been a big fan of sax but this album may change my opinions. Really surprising mix of traditional blue grass instruments but yet really exotic atmospheres. Definitely worth of listening. Leo Oskar
supported by 29 fans who also own “Pick-up, Lift-off, Space, Time”
If you were in an industrial accident in the rubber bullet factory at which you are a shift supervisor, but for whatever reason that particular day you decided to use all your braided rawhide leather belts to sandwich pillows around your body instead of wearing clothes to work, and by so doing you survive the accident... this is that, but more guitar-forward. woe_bonnet